From Voids That Are Never Empty

Included in this exhibition will be over a dozen landscapes on paper. Each image has been composed within a square format and Dan Bruggeman has chosen to place the horizon in the center of the composition, lending equal importance to sky and land. According to Bruggeman, each vignette that inhabits these paintings, “resides in a larger, more panoramic vista; one that is defined by an even more dramatic expanse of sky and land that meet at the edge of our vision.”

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Slow Blue

In earlier work, Dan O’Kane’s painterly abstractions were shaped by the big-sky and rolling plains of his childhood Nebraska home. In this new series, O’Kane’s composition choices were inspired by three separate trips to the Mediterranean, two to Spain and one to France.

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Plein Air SmackDown VIII

The Groveland Gallery Plein Air SmackDown returns for its 8th year. This year, 20 gallery and guest artists will be painting en plein air on and around the Upper St. Anthony Falls Lock & Dam. This year’s event is being held in partnership with the National Park Service and Mississippi Park Connection, the Friends Group of the Mississippi National River and Recreation Area (MNRRA).

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Sky, Land, Water

Since Ancient time, and throughout art history, including the Renaissance, Romanticism, Impressionism, and into Contemporary times, artists have been compelled to paint and interpret the landscapes that surround them. In Minnesota, sky, land and water are akin to the primary colors when it comes to landscape painting.

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Threads of Color

Quick and decisive strokes fill Susan Horn’s canvas. She writes, “As I am painting, I am looking for a resonance – a rhythm that physically hits you like a deep chord. This is the sensation I paint towards.” Deviating from her past semi-abstract landscapes, in this exhibition Horn employs color relationships to communicate an attitude or impression. In these paintings, confined neighborhoods of blue, teal and burnt orange rub shoulders and create a dialog.

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From the Bog

Meg Ojala has lived in Minnesota most of her life and has taught photography at St. Olaf College for over 30 years. In 2017, she was awarded an Artist Initiative Grant from the Minnesota State Arts Board to research, explore, and photograph bogs. She intends for the resulting photographs to make the insights of natural science visible and to call attention to the ambiguous nature of these beguiling ecosystems.

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